Art & Research
Residency in Rural Romania / 2026
Susannah Worth & Jonathan Hoskins
Susannah Worth is a writer, editor and facilitator whose practice spans art criticism, personal essay and the creation of welcoming spaces for socially anxious and introverted people, including her monthly craft circles in London.
Jonathan Hoskins is a visual artist, writer and researcher; his PhD investigated collaborative hosting, intimate social spheres and social art practice in Japan, and his work moves across objects, text, performance and social projects.
Together, they make projects with recurrently since 2010 for various art institutions in London, that asks how we can be together better, favouring depth, slowness and genuine encounter. They are drawn to questions of chosen belonging, mutual care and the small rituals – around food, making and conversation – through which people sustain one another.
“Marin Sound Archives was completed during our artist residency at Made in Sat. In this project we explored the impact of London as an intense sensory environment on our collaborative practice, as two sound-sensitive people. Throughout the residency I gathered sound recordings from spaces in and around Marin to investigate its aural environment and its profound contrast with that of London. Many of these recordings featured local creative practitioners, such as traditional Romanian needlecraft experts, facilitated by Made in Sat. I then edited and mixed these recordings into a draft, documentary sound work, together with text written and performed by Susannah. To conclude the residency, we created a hosted space to share and reflect upon this sound work with the other practitioners in residence.”
United Kingdom / June 2026
Anisia Iacob
Anisia has been awarded a scholarship through the Leverhulme Trust and I’m pursuing a PhD at the University of Kent and King’s College London, as part of the doctoral programme Knowledge Orders Before Modernity. My project focuses on the radical Reformation in the sixteenth and seventeenth centuries in the Principality of Transylvania through the group of anti-Trinitarians who flourished in the region.
During the residency, she follows the early days of anti-Trinitarianism with Giorgio Biandrata (1510-1588) and Francis David (1510-1579) up to the Habsburg period, investigating how a radical religious groups forms its identity through material objects and recycling of Catholic items, but also how it negotiated its rights in a Europe where anti-Trinitarian views were highly controversial due to the publishing activity and subsequent execution of Michael Servetus in 1553.
Romania, United Kingdom / June 2026Ayșen Kaptanoğlu
Ayşen Kaptanoğlu is a multidisciplinary artist based in Amsterdam. She studied literature at Istanbul University before training at Wackers Academy (2016–2021) and attending the Rijksakademie van Beeldende Kunsten (2022–2024). She recently received the Jeanne Oosting Prize 2025 for her works on paper.
Her practice investigates power dynamics, sexuality, and gender, asking questions about violence, its origins, and the structures that reproduce it. Using memory and self-experience as means of assistance, she is trying to make sense of what doesn’t make sense in a way to deal with the anger and pain she has against all that violence in this chaos of a male-dominant society.
During her residency, she intends to slow down, observe, and experiment, drawing inspiration from local crafts and traditions. She is particularly interested in connecting with women working in textiles, learning from their knowledge, techniques, and lived experiences.
Participating in this residency is also a personal journey, returning to a place connected to her family history, as her grandparents migrated from Romania. Through this experience, she hopes to trace her roots while exploring the layers of collective memory that resonate between past and present. She is curious to uncover shared narratives, gestures, and material practices, and to reflect on how these inherited traces can inform her artistic process.
Turkey, Netherlands/ June 2026